The difference between the Chinese and the classical furniture

The new Chinese-style mahogany classical furniture, which is newly made, is entering the thousands of households and becoming the most dazzling point in the home. However, when we purchase furniture, we pay special attention to the material of the furniture, but we often overlook an important issue. At the same time, it is also a problem that manufacturers need to pay attention to. This is the size problem of Chinese furniture.

In the history of more than 500 years of the Ming and Qing dynasties in China, the ancestors made the shape of Chinese furniture a high degree of practicality, science and beauty. Especially Ming style furniture, structural science, comfortable curve and ergonomics. The shape is beautiful, the atmosphere is stretched, the decoration is simple, the simplicity and elegance, the dignity and beauty, the simple and bright concept is consistent with the modern aesthetic law. That one more point is a short and a small size, so that future generations can be called. The ingenuity of the Ming style furniture, the desirelessness, and the sleek art of the world are the cultural ideas and beauty experiences of generation after generation. It is the crystallization of national wisdom and the Chinese furniture design concept has reached its peak. On the basis of Ming style furniture, Qing style furniture has lost some good ideas, but its stable, solemn, luxurious and exquisite style art has formed a unique national style.

I believe that Chinese mahogany classical furniture pays attention to high, large, wide and deep. The most taboo is short, small, narrow and shallow. In the shape, there must always be a high-level, only my own royal style and king style. This is the soul of Chinese mahogany classical furniture. . The proportion and size of each part of the furniture, and even the thickness of each scorpion, are first matured through repeated practice. These nuances are the basis of the soul.

For many years, the ancestors followed and passed on the greatness of the small, the high and the low, the heavy, the light, the thick, the thick, the thick, the thick, the fine, the fine, the red, the white, The rule of Huang Weigui Lan is a blasphemy, etc. This law is played in the national art of our country.

However, the new Chinese-style mahogany furniture on the market is not optimistic at this point. In terms of its seats, whether it is a majestic treasure seat, a thick ring chair, an elegant officer's chair, a quaint chair, a comfortable armchair, etc., you will find through careful comparison, from the whole to the various parts. The proportion and size of a manufacturer are different from those of the same manufacturer. Some seats are only three or forty centimeters high, as tall as a sofa chair, and lose the dignity of the rider. Some seats are narrow and shallow, and people who are fat can't sit in. The angle of the back, the width of the armrests, the thickness of the legs and the shackles, etc., are very chaotic and unusual. The feeling is that the manufacturer uses the remaining materials to piece together. And some top cabinets, only 45 cm deep, I really don't know how to hang clothes.

The square table where eight people can sit around is called the Eight Immortals table. The length of the square is at least one meter long. The small square table with a length of 70-80 cm on the market also dares to call the Eight Immortals table. The longest case is more than 3.5 meters, the widest is more than 80 centimeters, and the highest is more than 1.2 meters. I really don't know if the big case is for home or temple. The size of these furniture is seriously out of tune. I don’t know what the designer of these furniture is based on.

Chinese furniture is a treasure of the nation. The size problem is actually a matter of styling. The right shape is in line with the Chinese people's aesthetic habits and psychological feelings. Therefore, we should pay attention to it and pay attention to it. (Zhang Baoting / text)